Short film based on "What We Talk About When We Talk About Love" by writer Raymond Carver.

When a family gathers for dinner and to be part of a 12-year-old’s school project on identity, people rethink who they are and what they want to eat.

After the death of a patriarch, a family must try to continue on with a disturbing, ritualistic tradition.

Buenos Aires, during the summer heart, in gated communities surrounded by wastelands covered with trash. The barking of stray dogs, repeated power outages, and uncontrollable clouds of smoke drive the inhabitants to confront their most primitive instincts.

In this second installment of his exploration of creativity, Hermann Vaske looks for factors that inhibit it. He asks artists, activists, and thinkers about things that kill their creativity.

The film, "Why We Bang," produced and directed by Orlando Myrics and Clifford Jordan for Ghetto Logik Entertainment is an independent film that documents the historical background of LA's Bloods and Crips gangs, then transitions into several interviews of current and former members of the Bloods and Crips of Los Angeles. 　　Ghetto Logik, a Film Company based in South Los Angeles offers their first urban documentary as a result of being disappointed in seeing outsiders far too often portray the stories of ghetto residents. "We just got tired of seeing people, not from our community making so called "Hood movies" that did not really depict what our community was all about, our goal is to bring real images and real stories about real people to the big screen." 　　Their first effort, "Why We Bang" is an in-depth look into Gang Culture in Los Angeles that shows up-close, the life in South Los Angeles, talking and walking with real gang members first hand. Their approach was to show the gangs, their motivations and deadliness and to capture the voices of the mothers who have lost children to the violence that gangs bring. Their story, through several narratives will inform you Why We Bang.

The film, "Why We Bang," produced and directed by Orlando Myrics and Clifford Jordan for Ghetto Logik Entertainment is an independent film that documents the historical background of LA's Bloods and Crips gangs, then transitions into several interviews of current and former members of the Bloods and Crips of Los Angeles. 　　Ghetto Logik, a Film Company based in South Los Angeles offers their first urban documentary as a result of being disappointed in seeing outsiders far too often portray the stories of ghetto residents. "We just got tired of seeing people, not from our community making so called "Hood movies" that did not really depict what our community was all about, our goal is to bring real images and real stories about real people to the big screen." 　　Their first effort, "Why We Bang" is an in-depth look into Gang Culture in Los Angeles that shows up-close, the life in South Los Angeles, talking and walking with real gang members first hand. Their approach was to show the gangs, their motivations and deadliness and to capture the voices of the mothers who have lost children to the violence that gangs bring. Their story, through several narratives will inform you Why We Bang.

In the midst of our unsettled world, the Apple Family, last seen in 2014, return, though not over the dinner table, but via Zoom. This hour-long play picks up with them during their now suspended and quarantined lives. They talk about grocery shopping, friends lost, new ventures on a hoped-for horizon—all at a time when human conversation (and theater) may be more needed than ever before.

Close friends Marcus and Holly begin their freshman year at a tough public high school in Baltimore County, Maryland. When Cassie, a well liked senior at the school, disappears suspiciously, both of their lives change forever. Together, will they find out what happened to Cassie? And after a dramatic confrontation, will any of them ever be the same?

After Stella the Storyteller leaves her suitcase in the treehouse, Barney and the children travel to France, Canada, and Mexico to find her. Meanwhile, Baby Bop and BJ fight over who gets to use the box, as Baby Bop wants to use it for a playhouse, and BJ wants to use it for a fort. When Barney and the children return, they find that BJ and Baby Bop are sharing the playhouse.